I really like that the default setting for audio is uncompressed. For this reason, the presets are optimized for editing. Remember, EditReady is designed for prepping files prior to editing, not final compression before distribution. However, there are eleven preset output options. The default transcode settings are set to ProRes 422, with uncompressed audio. (These images courtesy of Joe Centeno and his backyard.) This is the list view. You can display the footage as either a list or thumbnails. Note that I’m dragging the entire folder, not just individual clips. Here, I’m dragging a folder containing 26 AVCHD/MTS files into EditReady. To import files either use File > Open or simply drag the files or folders into the left panel. Here’s the opening screen, which can be resized as necessary. Installation was straight-forward and took me about a minute and a half.
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Purchasing the software provides a serial number which is used to unlock the software. When first downloaded, it runs in Trial mode, allowing you to compress the first minute of a file. In general, if a file plays in QuickTime Player (for MOV/MP4/M4V files) or VLC (for MXF, M2T and MTS files), it’ll play in EditReady.” ĮditReady must be purchased from the Divergent Media website. In addition, it supports files in the AVCHD and HDV formats, which generally use the M2T, MTS and M2TS extensions.
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“EditReady accepts files in the QuickTime MOV, MP4 and M4V formats, as well as MXF files from most cameras that record to the MXF format. This conversion process, called “transcoding,” allows you or an assistant to optimize files without tying up an editing system. While you can use it at the end of the process to create files for YouTube et al, that is not how it was designed. However, compression is a necessary and vital part of video production today.ĮditReady is designed to convert files prior to editing into a single, high-quality video format. Video compression is a necessary evil very few people understand it and even fewer enjoy doing it. I’ve been writing about video compression and testing compression speeds for a long time. Website: MSRP: $49.95 (Upgrade pricing is available for ClipWrap users)
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The software ships with a 31-page PDF user manual and a free trial is available. Key features include: changing clip metadata, including timecode, file renaming, format conversion, batch processing and an easy-to-use interface. It also supports applying LUTs (color Look-Up Tables) to your footage prior to conversion.
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It supports popular editing formats – ProRes, DNxHD and rewrapping – and non-linear editors: Final Cut Pro 7, Final Cut Pro X, Avid Media Composer, Adobe Premiere Pro, and Apple iMovie. It will rewrap or transcode any MXF, MTS (AVCHD), M2T (HDV), MP4, or QuickTime (MOV) file and convert it into Apple ProRes, Avid DNxHD/HR, or H.264 output. EditReady is designed to take camera native files and convert them into a common format (called a “mezzanine format”) prior to editing, allowing you to standardize on one video format for editing and mastering.ĮditReady is a transcoding utility for video files. We are awash in competing video codecs and standards. The days of shooting, editing and exporting a single video format for a project are long gone. With the new release, the team at Divergent Media sent me an evaluation copy to use for this review. EditReady includes all of the features and capabilities of ClipWrap – and adds significantly more value for filmmakers – all for the same price. However, on June 28, 2016, Divergent Media announced it was officially retiring its popular ClipWrap application and absorbing its features into the brand-new EditReady application. ClipWrap, from Divergent Media, is legendary amongst video editors for its ability to repackage AVCHD and HDV media into formats that are much friendlier to edit.
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